Reekado Banks and Mayorkun Tease Upcoming Track “Glamorous” in Viral Video

Nigerian artists Reekado Banks and Mayorkun teasing their upcoming track “Glamorous.” The 43.30-second clip, sampled in frames with corresponding subtitles, offers a glimpse into the song’s infectious energy and the artists’ chemistry, igniting excitement among fans and music enthusiasts. This preview not only highlights the potential of “Glamorous” to be a chart-topping hit but also underscores the enduring appeal of Reekado Banks and Mayorkun’s collaborative efforts in the Afrobeats scene.

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The video, begins with Reekado Banks in a casual setting, likely a tour bus, surrounded by red plastic cups and white cabinets, setting a relaxed yet anticipatory mood. At 0.00 seconds, the subtitle reads, “So you go tell me who’s that, who’s not. Can’t you do bad, pick anything you want,” introducing the song’s playful and confident tone. Mayorkun joins in at 2.17 seconds with “dem say na me do pass,” a line that has already become a fan favorite in the replies, with @BESTFORYOU✨ at 17:26 UTC noting, “Waiting for it 🔥.”

The visual of Mayorkun in a red tank top and black cap, juxtaposed with Reekado Banks in sunglasses and a leather jacket, amplifies the song’s vibe, blending street style with artistic flair. As the video progresses, the lyrics delve into themes of attraction and indulgence, with Reekado Banks singing, “You can put it on my table by all the stuff. Come into my life oo,” at 4.33 seconds. The subtitle “because you’re looking very glamorous” at 6.50 seconds hints at the track’s title and core message, celebrating beauty and desire. The setting, with its intimate and casual atmosphere, contrasts with the grandeur of the lyrics, creating a dynamic tension that resonates with viewers. @Stunnavegas_ at 17:12 UTC simply responds, “Waiting for it 🔥,” echoing the collective anticipation. The video’s visual narrative is enriched by the artists’ expressions and interactions.

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At 10.82 seconds, Mayorkun’s line “I give you cover. And when the night gets colder” is paired with a shot of him gesturing animatedly, suggesting a protective and romantic theme. Reekado Banks complements this at 17.32 seconds with “Girl you’re too bad. Come into my life oh. Happiness true,” reinforcing the song’s emotional depth. The recurring motif of red cups and the bus interior, as seen in frames at 25.98 and 32.48 seconds, adds a layer of authenticity, grounding the track in real-life experiences. The collaboration between Reekado Banks and Mayorkun is not new territory. Both artists, known for their hit collaborations like Skiibii’s “CBN” featuring Seyi Vibez, Teni, and Reekado Banks, as reported by BellaNaija in 2023, have a history of creating music that resonates with audiences. “Glamorous” continues this trend, with its blend of Afrobeat rhythms and contemporary themes.

The video’s subtitles, such as “I’ll give you excess love. I’ll give you all my money” at 21.65 seconds, align with the lavish and affectionate tone typical of their work, promising a track that could dominate playlists. Social media reactions to the preview are overwhelmingly positive, with @sonofhawa at 17:23 UTC simply stating, “🔥,” and @austinesmitt at 17:12 UTC calling it a “better jam.”

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However, not all responses are uncritical—@ChukosTony at 17:38 UTC notes, “Thier sounds is outdated,” reflecting a segment of the audience that might question the song’s relevance. Despite this, the majority of replies, like @jejewayo’s at 17:15 UTC with “Nice one better jam,” indicate strong support for the track’s potential. The post’s engagement, with over 1.2K likes and numerous retweets, underscores its viral impact. The cultural context of “Glamorous” is further enriched by Reekado Banks and Mayorkun’s individual journeys.

Reekado Banks, as detailed on Last.fm, has a discography that includes hits like “Ozumba Mbadiwe,” while Mayorkun’s rise, as noted in a 2023 JMusic article, has been marked by collaborations that blend traditional Afrobeat with modern influences. Their decision to release “Glamorous” now, aligns with a broader trend of Nigerian artists leveraging social media to build anticipation, a strategy that has proven effective in the digital age.

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